Theri Online Subtitrat in Romana – [1080p]

calificativ : Theri
a dezrobi  : 2016-04-14
arhivare : 157 Minutes
compoziţie : Action

With the right material, Vijay can elevate even an ordinary scene with his amazing screen presence. And he can effortlessly play to the gallery. It is these aspects that Atlee repeatedly calls upon from the actor in Theri, a cop story that is entertaining despite being predictable. And the actor, too, responds in style — he appears in different looks, bashes up the goons, swoons over the heroine, plays along with kids, lectures on raising a child, using a helmet and quitting smoking, and even gamely turns into a dwarf for a brief moment!

As he did with Raja Rani, Atlee borrows tropes from earlier films (the elderly villain from Chatriyan, the metal rod being used as a murder weapon from Ghajini, the gigantic henchman who has to be vanquished before the hero can lay his hands on the villain from various masala movies of the 80s and 90s, the mother as the best friend from the post 2000 movies, the cop who quits the force for his offspring from Yennai Arindhaal) and with help from his cinematographer George C Williams, presents them in a riot of colours that almost makes us believe that we are seeing something new. But this is a formulaic film and can be best described only with another cliche — old wine in a fancy, extra-large bottle.

The film begins with scenes between Joseph Kuruvilla (Vijay) and his little daughter Nivi (Nainika), who behaves in the way most movie kids behave — talk like an adult, behave like a brat and still have us go ‘Oh so cute!’ Her teacher Annie (Amy Jackson, as a Malayali, no less!) becomes close to the two, but following an incident, realises that Joseph is hiding something. And like her, we, too, are told of his past, when he was the intrepid deputy commissioner Vijay Kumar. By investigating a rape and murder case, Vijay earns the enmity of minister Vanamamalai (Mahendran, making a solid debut). And the minister kills Vijay’s mother (a jovial Radikaa) and wife, Mithra (Samantha), and leaves the cop for dead. And when Joseph realises that Vanamamalai knows his secret identity, he decides to end their enmity once and for all.

Unlike Chimbu Deven, who got carried away with making his star a darling of the kids in Puli and ignored the actor’s core fan base (the youth), Atlee comes up with moments that satisfy all segments of the audience — the scenes between Joseph and Nivi for the kids, the portions involving Vijay’s mother and Mithra for the family crowd and most importantly, the episodes between Vijay and the various bad guys for the cheering youngsters. And he uses these moments cleverly. So, every time the film seems to be sinking into banality, a whistle-worthy moment or a comic line or a sentimental scene comes along and saves it.

But Atlee takes too long to narrate this familiar story. We get two fights to establish the machismo and goodhearted nature of the hero and two songs to liven up his romance when one could have done these jobs. Like his guru Shankar, he also crams in too many societal issues — rape, rowdyism, child beggars — to manipulate his audience and earn their sympathies. The major fault, however, is that he turns the villain into a sitting duck after building him up for most parts of the film. This is why the final portions lack the punch they deserve.
**Somewhat it was everything. Inspiring, emotional, fun, though not for everyone!**

If Vijay Sethupathy is what makes me to watch the Kollywood films, then Joseph Vijay stands on the other side. No offense to his fans, I was watching his films opening day, opening show (not first show), but I got tired of his same old tricks in his every new film. Anyway, this film is not any good for the international audience, but it’s a different scenario for people in domestic market. This is a very good masala film. A fine mix of action, comedy, romance, sentiments and of course musical beats.

I think it had potential if it was made like a normal film to the international standards, but you can’t expect something like that particularly in Vijay’s film. The film story had a good intention like delivering a series of messages to the society, but the execution was completely fake with too much shouting and loud noise. Irrelevant to the reality and there’s no politeness while revealing what it wanted to tell the viewers. Like fighting crime and criminals are good, but it was shown in a bad way, such as public disturbances, including damaging roadside stalls and vehicles who are mostly poor people. This is why littering is a very serious concern in India. Films like this should stop promoting that.

I liked the part of the story that depicted the Delhi rape incident, but I totally got annoyed when it was overshadowed by heroism. The majority of the comedies were in Tamil slang and was targeted for those with the knowledge of its films. The English subtitle translation was not very good at all. Even the overall film plot was drafted with the same old formula which is an honest cop versus a corrupt politician and involving a revenge act with a flashback.

Like always, I hated the music videos. The story takes place on one side and it was frequently interrupted by unsynchronised video albums. It was completely out of proportion. If you skip them, the film is actually 3 minutes short which is a good thing. The casting was good, particularly the film will be remembered for Nainika’s big screen debut as a child artist, as well as Vijay’s own daughter at the end. So many people are eager for a sequel where he can work with his own daughter.

If you are an Indian, then it would be a good watch. If you are from the south, you might love it. But for the international viewers, I must warn that if you know the actor and the director very well, then you would know what to expect, other than than choose it carefully. Only in India this thing happens, that it is rated U which is equivalent to PG, but it is actually an NC17 for violence.

_6/10_

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Test Pattern Online Subtitrat in Romana – [1080p]

titular  : Test Pattern
: 2021-02-19
arhivare : 83 Minutes
gen muzical : Drama

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Hail, Caesar! Online Subtitrat in Romana – [1080p]

titlu  : Hail, Caesar!
a răspândi  : 2016-02-05
arhivare : 106 Minutes
gen : Comedy, Drama, Mystery

There’s a scene halfway through the film when Hobie Doyle (Alden Ehrenreich), a Western B-movie star, is cast in a fancy melodrama helmed by Laurence Laurentz (Ralph Fiennes). Doyle is hopelessly out of his element, hobbling about in his new suit–the switch was the studio’s idea in an effort to broaden Doyle’s appeal, much to Laurentz’s dismay. It’s not long before the two engage in a back-and-forth, Laurentz trying to get Doyle to pronounce “Would that it ‘twere so simple”, and Doyle trying desperately to appease Laurentz. After a lengthy exchange, both are left exacerbated. Much later in the film, we catch a glimpse of the final version, where Doyle and Laurentz compromise with a much simpler: “It’s…complicated.”

Complicated is exactly what’s at the heart of this situation. Laurentz’s increasing frustration with this obvious miscast and Doyle’s confusion may serve to fuel the slapstick comedy on exhibit, yet this scene alludes to so much more. It’s the inner mechanics of Hollywood, where directors are mere technicians and actors are props, all to be assigned and managed. It’s the clashing of proud classical Hollywood traditions of entertainment and escapism with the dreaded rise of message films and sophisticated art. It’s the contradictory nature of unfettered creativity with capitalism and consumerism, where compromise–and perhaps communism–seems to be the only way out.

This is just one slice of the screwball nature that is the Coen Brothers’ latest comedy, Hail, Caesar! There’s also a kidnapped Roman soldier, Baird Whitlock (George Clooney at his dimmest and greatest), a handsome sailor (Channing Tatum) and a beautiful mermaid (Scarlett Johansson). All opportunities–that the Coens gladly take–to simultaneously demonstrate the power and influence of cinema, while mocking its sense of self-importance.

Each scene is allowed to play out, Channing Tatum and his homoerotic musical number or Scarlett Johansson’s hypnotizing aquatic acrobatics. It’s not only an homage films of the Golden Era, but a demonstration of the mechanics that make film such an appealing medium. The Coen Brothers have a firm grasp on the allure behind each piece, using the acting, staging and costumes to propel Hail, Caesar! forward. It’s a simple concept–use filmmaking techniques to advance a theme and narrative, but by prioritizing these lengthy sequences over traditional narrative pacing or dialogue, the Coen Brothers give room for these fundamental concepts to breathe and thrive.

It’s all threaded together through Josh Brolin’s character, Eddie Mannix, studio fixer. And there’s a lot that needs fixing: a pregnant star, a discontent director, communism, threat from the future–the usual. It’s a packed schedule, and the film follows suit with a similarly hectic pacing. An array of symbols, innuendos and subversions are thrown at the viewer: Capital Studios butting with Das Kapital, Mannix being offered a role at Lockheed where they tout a more stable industry– weapon-making, or Whitlock staring at the audience as he addresses God. It borders on bombastic, but there’s just too much wit, and heart, here to discredit any of the ideas presented–fleshed out or not.

Hail, Caesar! doesn’t break new ground in the increasingly crowded sub-genre of Hollywood-on-Hollywood, but it hits a Goldilocks concoction between inside baseball cynicism and endearing love letter. Though all these antics, the Coen Brothers argue, quite convincingly, that everything in film matters, while also making a case for the futility and hollowness of anything produced on the grounds of Hollywood. So is this a nihilistic shrug at our attempt at defining and contextualizing or a fierce exhibition of the inherent power of Hollywood where life imitates art? Well, as Doyle would try to tell you, “Would that it ‘twere so simple.”
I am a fan of the Cohen Brothers, but I will not lay laurels at the feet of a movie simply because it bears their name. _Hail, Caesar!_ is not one of their better efforts.

Unrelated: I also wonder why they felt it necessary to hide the fact that they were making a faith-based film in the trailers.

_Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._
**Once upon a time the king Julius Caesar was kidnapped!**

So here’s the new film from the Coen brothers. They have become rare in the recent years, I was always checking out what’s next for them and now I’m slightly disappointed with this. I enjoyed watching it, it is one of those you want to rate them better, but you can’t for some unidentified reasons. According to my analysis why I was not satisfied fully is the story. I mean the narration was rich, performances were phenomenal and music, locations, all were fantastic, but the screenplay was kind of aimless. The beginning, the ending or even in the mid part it had no purpose, but something like a mockumentary about the film industry of the 1950s.

With the average screenplay, the directors have shown their magic. Very cool presentation, you would enjoy it if you’re theirs films fan. But I don’t think all his fans would be pleased enough. This is truly a multi-starrer film, everybody was at their best in their retro characters. If you share your experience with others who also saw it, they might ask who do you liked the most. Probably many would favour Josh Brolin, because he had more priority than others who comes under his belt. But George Clooney and Alden Ehrenreich also have given a good show followed by Scarlett Johansso and Tilda Swinton. The remaining ones as well not bad, but Jonah Hill was completely a waste.

Since it is about the film industry and its people, brace yourself for some good laughs. There is variety in it like different genre/theme and multiple layers in the narration. Like from moving to the western to the historical subject and then to the musical and many more. It did good at the box office against its budget, only because of the star power it has and the filmmaker’s reputation came in handy. Though I hope the Coen brothers would come back strong with another product and it does not take another 3 years. It is not an award winning film, just a good entertainer, but praisable quality.

_6/10_

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Delirium Online Subtitrat in Romana – [1080p]

generic : Delirium
comunicat de presă : 2018-01-19
arhivare : 86 Minutes
gen : Thriller, Horror

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The Royal Online Subtitrat in Romana – [1080p]

colontitlu : The Royal
a slobozi  : 2022-07-15
arhivare : 98 Minutes
compoziţie : Drama, History

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A Most Violent Year Online Subtitrat in Romana – [1080p]

titular  : A Most Violent Year
comunicat de presă : 2014-12-31
arhivare : 124 Minutes
compoziţie : Crime, Drama, Thriller

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Gigi & Nate Online Subtitrat in Romana – [1080p]

calitate : Gigi & Nate
a lăsa  : 2022-09-02
arhivare : 114 Minutes
gen muzical : Drama

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Papa Online Subtitrat in Romana – [1080p]

calificativ : Papa
a slobozi  : 2018-06-14
arhivare :
gen muzical : Drama

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Crawlspace Online Subtitrat in Romana – [1080p]

generic : Crawlspace
a lansa  : 2022-03-31
arhivare : 90 Minutes
compoziţie : Thriller, Action

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Mrs. Brown’s Boys D’Movie Online Subtitrat in Romana – [1080p]

titulatură  : Mrs. Brown’s Boys D’Movie
a achita  : 2014-06-27
arhivare : 94 Minutes
gen : Comedy

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